動画数：69件
(Intro) - Mostly 7/8, however, they put an extra beat (making a bar of 4/4) on the bar at 4/4. (ERRATA: There's not actually a shift here.)
, which has the effect of shifting the downbeat. This is a *very* Yuyoyuppe trick, and you can see it all over his last album *Draw.* It comes up a couple more times here too, I'll point them out! Whenever I reference a shift, it's a bar of
- Another shift. You can see here how it allows an interesting transition between rhythms within the same meter; each third of this intro feels distinct, playing around the bar in different ways that are all justified, and in turn justify, the use of a shifting measure.
- One last shift leading into the verse!
(Verse) - The last shift leads into a more straightforward 7/8 groove for the verse. No shifts here, leading the pre-chorus to feel slightly tenuous; as you've come to expect them by now.
- A very sneaky shift!! You can miss this one if you're not keeping track. This leads into--
(Refrain) - --a section in 6/8, which is a far more common time signature. Straightening out like this lends to the soaring, cathartic nature of this refrain. It's clarity, in a song filled with uncertainty.
(Post-Chorus) - Right back into the 7/8, no shift until the one present in the way this riff is written at 4/4 measure, but the way Yuyoyuppe writes them, they're a rhythmic tool in his kit, disguised as a standard metalcore trope.
(Verse 2) - Nothing to write home about here! More topsy-turvy 7/8 goodness.
. It's interesting; usually, these little transitionary licks are part of a
(Break) - This part oscillates between a bar of 6/8, and a bar of _5_/8, actually, leading to an overall feel of 11/8, if you'd rather phrase it that way. After the bar of 5 at 6/8 and stays there through...
, it moves to
(Refrain 2) - ...the second refrain! No shift used here at all; we're still speaking the same rhythmic tongue through the chorus as in the break. Despite nothing else changing from the last chorus to this one, except the first stanza and a punctuated beginning, that smoother transition lends part of that sense of calm and introspection to this refrain, making it feel more conclusive. Maybe that's just me. :)
(Outro) - This is probably the strongest case for Yuyoyuppe's mastery over rhythm. This is the same riff as we saw used exclusively in 7/8 through this track, but now, *modulated to 6/8.* Through the use of clever phrasing and composition, it barely has to be *any* different to fit into a whole eighth note *less* time. The way it reframes the starting motif is _profound,_ and yet you can _completely miss it_ if you don't know to look for it!
Song:Me: I love this song
のところ口が笑ってるみたい
から三日月ニッコリ顔のミクちゃんに見えてすこ
you 'd this
Some of it actually is oh yeah check the text behind her
wp my man
〜
から凄みが伝わって来るぜ！
Jolly Roger: Hatsune Miku style
is the best part
Todo Hiba normal hasta elJoooooooderY encima tiene toques de psytrance10/10
The breakdown was heavier than an earthquake.
![is music with me than music leave in to me with (Self-Destruct) , (1) - Utsu-P - 自爆/Self-Destruct [Greatest Shits Ver.]](https://img.youtube.com/vi/Q_MXu3YBdNo/mqdefault.jpg)
is music with me than music leave in to me with (Self-Destruct) , (1)
,
is music with me than music leave in to me with (Self-Destruct) , (4)
Does this song came out? That guitar its freking insane
:)
![The swearing felt weird! - Utsu-P - MiKUSABBATH [2020mix]](https://img.youtube.com/vi/y8nKlSIuAOY/mqdefault.jpg)
The swearing felt weird!
@ to (1)
this part is insane
@ to (2)
![～ と - Utsu-P - コロナ / Corona [Greatest Shits Ver.]](https://img.youtube.com/vi/r_7PNpw1u7k/mqdefault.jpg)
～ と
～ がヤバい……(*/□＼*)💕曲&歌詞めっちゃかっこいい✨好きぃぃぃ！！
![omg it's Drama!! One of my favorite crash fever bgm ever - 鬱P(Utsu-P) B-side Album #SUPER_SHIBORIKASU [Trailer]](https://img.youtube.com/vi/h_nZ9TdYf3Y/mqdefault.jpg)
omg it's Drama!! One of my favorite crash fever bgm ever
HOLY FUCK THATS LEN. IM SO EXCITED
![Seeing the holding hands at and just hearing "I love you" on repeat felt...wrong. Not for being inappropriate, but for drawing out the pain and jealousy of being barred from a love that you can't have. And it's all well and good if that's all the image instills, but if you think about it as watching a real person's memories playing out with all the nostalgia and resentment towards their ruined love, then that just feels extra tragic. Like you're a passenger to their tragedy, unable to do anything for them in their sadness, and only able to see the broken husk they've become after letting their loneliness fester for years on end. - Utsu-P - 宇宙人のアイラブユー/An Alien's "I Love You" [2020 mix]](https://img.youtube.com/vi/MZzqY-7AmTQ/mqdefault.jpg)