●Lyrics
Salvador, dor, thought is festering
サルバドール ドール 思想が膿んでいる
Farewell to the ghost, then become a imposing slave
さらば亡霊 したらば堂々奴隷
Surreal something, almost a mere name
シュール何とか もはや形骸
Art is already dead, a surfeit of stupid words
アートなどは死んだわ 愚字の濫立
Father, fashion & plum
ファザー ファッション・プラムを
Impose them on, ant＆I, and the city of 175
押し付けて 蟻と私と 175の街
Impersonal, short-lived, melting clock
没個性 短命に 溶ける時計
Illusionism, similar thumbnails
騙し絵 似通った親指の爪
Anarchy, it must be influence of veterans
アナーキー きっと猛者(もうじゃ)の影響
”Just a replacement for someone else” disease
誰かの代わりに過ぎない病(びょう)
Salvador, dor, false representation
サルバドール ドール 虚偽の外見
Whether you can love it or not, tell me at the end of the words
愛せるか否かを語尾に頂戴
Muse, Muse, acquittal
ミューズ ミューズ 無罪放免
I’ll keep on saying, you’re the only saving grace
何度でも云うさ君が救い
Brain dead loop, loop, real intention is just for show
脳死ループ ループ お飾り本音
"Legal drugs”lol, a earworm
合法麻薬(笑)イヤーワーム
This junk-food-ized world is a “pastiche”
ジャンクフード化した この世はパスティーシュ
Farewell to the ghost, then become a imposing-slave
さらば亡霊 したらば堂々奴隷
Chao, you imposing-slave
Chao 貴方堂々奴隷
Chao, in a few years, DA DA DARE are you?
Chao 数年後には貴方DADA誰?
Popular, transient, expendable, low-cost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business
ポピュラー、はかない、消費財的、低コスト、大量生産、若さ、洒落ていること、セクシー、新しいもの好き、魅力的、大儲け
“People will lose interest in us, we’re just lived to be consumed.”
『私達いずれ飽きられて、使い古されるだけの命よ』
It’s annoying to lump me together with you
一緒にされちゃ心外ね
Get out, get out, get out, get out, get out！
失せろ、失せろ、失せろ、失せろ、失せろ！
Salvador, dor, false appearance
サルバドール ドール 虚偽の外見
reviewing whether you can love it or not
愛せるか否かを吟味してんだ
Muse, Muse, acquittal
ミューズ ミューズ 無罪放免
Your imitation of Virgin face is the only saving grace
聖母のツラした君が救い
Brain-dead loop, loop, real intention is just for show
脳死ループ ループ お飾り本音
"Legal drugs”lol, a earworm
合法麻薬(笑)イヤーワーム
Do you like this junk-food-ized me?
ジャンクフード化した この僕も好きかい?
Farewell to the ghost, then let’s depart this life
さらば亡霊 したら逝こう
Salvador, dor, every Tom, Dick and Harry
サルバドール ドール 猫も杓子も
Just a man pretend to be a genius
天才のフリした凡人さ
This junk-food-ized world is also beautiful
ジャンクフード化した この世も美しい
I’m a ghost, appear doomed to extinction
僕は亡霊 消える運命
Farewell to the doll, doll, a string puppet
さらばドール ドール 操り人形
How long will you stay in your shell
いつまで殻に閉じこもんだ
Kill the mood & boom, I'll be waiting at hell
枯らせムード&ブーム 地獄で待ってんぜ
I’m leaving first, farewell to imposing slave
それじゃお先に さらば堂々奴隷
() Firstly, obviously, the character design is meant to reflect the likeness of keystone dadism pioneer, Salvador Dali! iconic imagery of his work, such as the melting clocks (
“Ant & I, and the city of 175/蟻と私と175の街” was driving me insane for some time. I couldn’t find a real place of historical significance to Dali like a “City of 175” so I was wondering if it was a pun or what it meant. I’m worried this is a stretch or odd coincidence as opposed to an intentional play on words, but this is the most sense I can make out of it. “175” sounds like it’s pronounced as “inago” here which is very unusual (“i” from “ichi/1”, “na” from “nana/7”, “go/5”) here, with “inago/稲子” also meaning “grasshopper”. Dali was known for having a repulsion towards grasshoppers and ants and would use imagery of both in his art, so in this case it could be “ant and I and the city of grasshoppers”I think the song is about Dali’s shift to commercializing his work (becoming a “puppet” or “commercial slave”) since he was criticized for selling himself out. He appeared in adverts in all sorts of things from cars to chocolate and became more well known for his eccentricity as his selling point than his actual art in consumer America. Overall really interesting to look into and it’s so unique and catchy! Niru Kajitsu never disappoints T__T (良いすぎ)
), which Dali was known to keep as a pet. there are probably WAY more references that i didn’t pick up on, but these are just a few, haha.
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2021年04月10日 @fishtickler05 様
00:00:38 - 00:01:07
の「る」が巻き舌なの好き。
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2021年04月10日 @ももも-r6e 様
00:00:41 - 00:02:23
愛せるか否かの「る」のとこが巻き舌なのカッコええ...
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2021年04月10日 @肉球の香り 様
00:00:41 - 00:02:23
みんなそれぞれ好きなところあると思うけど、私はの｢何度でも言うさ 君が救い｣が好きすぎる
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2021年04月10日 @たぬき-k6b 様
00:00:45 - 00:02:23
よく見ると窓の目の色と同じ色(左側の目は真ん中が白で右側の目は真ん中が黒)
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2021年04月10日 @し-u2f 様
00:00:48 - 00:02:23
サムネ らへんのシーンだった気がしたんだけどもしかして
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2021年04月10日 @ボチュニアヘリュチェゴビニャン 様
00:00:48 - 00:01:46
ずっと気になってたの、あれだ。右と左で表情が違う。
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2021年04月10日 @モーニングセット食べたい 様
00:00:50 - 00:02:23
). perhaps the sentence “farewell to the ghost, and become an imposing slave” speaks to the idea of an artist trying to force a concrete meaning into their work by tirelessly imposing descriptions and overt symbols into their art. sort of, “anti-dadism”, if you will.
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2021年04月10日 @fishtickler05 様
00:00:57 - 00:01:10
im never forgiving nilfruits for making the part so short and only appear once 😭😭💝💝
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2021年04月10日 @shrek069 様
00:00:59 - 00:02:23
Cha- chao chao chao <3
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2021年04月10日 @xolymor 様
00:01:00 - 00:02:23
chaoのところが狂おしいほど好き😭
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2021年04月10日 @レンレン-v3h 様
00:01:00 - 00:02:23
Don't mind me, just vibing to CHA-CHAO CHAO CHAO
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:02:23
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (1)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (10)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (11)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (12)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (13)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (14)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (15)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (16)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (17)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (2)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (3)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (4)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (5)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (6)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (7)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (8)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
Don't mind me, just vibing to CHA-CHAO CHAO CHAO (9)
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2021年04月10日 @akitopi_ 様
00:01:01 - 00:01:01
flower: Chao Chao ChaoYo: Chale, ya me voy entonces 😔👊🏽
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2021年04月10日 @Eiol01 様
00:01:02 - 00:02:23
() this line here, “DA DA DARE?”, is a direct reference to dadaism (DADA). the context of the line also represents the dadaist concept of “the death of ‘The Artist’” which implies that regardless of an artwork’s original intent or purpose, it is meaningless after the one who made it is gone to clarify is meaning, and therefore is completely up to interpretation. many argue that “the death of the artist” occurs after a work is finished and released into the public eye, because then, it’s meaning is entirely dependent on the emotions it evokes on THE INDIVIDUAL. thus, “dare?= who?”, as in, who will you be? what purpose will your name serve to this art other than credit? this concept is also conveyed by the use of the term “ghost” to describe the artist (
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2021年04月10日 @fishtickler05 様
00:01:07 - 00:00:57
数年後には貴方DA DA 誰？ が好きすぎる急に本気になるの怖いすきです
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2021年04月10日 @terrakinno_uvbarrier 様
00:01:07 - 00:02:23
英語歌詞「DA DA DARE are you？」すき
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2021年04月10日 @Puppet-sk2ko 様
00:01:09 - 00:02:23
() this portion here is what is called “dadaist poetry”, in which the speaker chooses words randomly (traditionally, by means of cutting words out of magazines and letting them drop onto a table to decide their order) and recites them either with great emotion, or with none at all. years ago, dadaist guilds would gather at clubs/bars and hold, what is essentially, a slam poetry session! however, the lyrics are relatively random, as in they have no sentence structure, but they still all connect to the theme of artistic commercialization- which technically disqualifies it as true dadaist poetry, but it’s still a cool nod.
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2021年04月10日 @fishtickler05 様
00:01:10 - 00:02:23
Small note; Salvador Dalí was an artist within the surrealism movement, not Dadaism! Surrealism (very roughly) revolves around human impulses and the dreamlike, which might actually be why the character wakes up at the start of the MV. I will say though, Dalí played a character for his audience and put up a face to more easily commercialize himself, which ties in pretty neatly with all the descriptions at (artistic commercialization, as you mentioned).Also fun to mention that Dadaism was a direct result of post-war nihilism
we see MW and Anne stare into one anothers eyes because Anne was telling MW that she trusted them to gouge out her eyes for the formula since there needed to be DNA form a creature, and likely living creature (in this case a human) to complete it.
The full backstory is that MW was an escaped experiment that had been injured and found by Anne, as seen during the news report of Santa Teresa at . Although reluctent MW and Anne learn to live together and while Anne falls in love with MW, MW falls in love with singing and dancing
, as its very self congratulatory and quickly devolved into self depreciation, and seeing visions of Anne hits MW's breaking point. The reason? MW is going through deep levels of imposter syndrome combined w/ the guilt of leaving Anne, and it doesnt help that the elixir Anne cooked up to intentionally gives her striking similarities to Anne--------------------------------------------------------------------------------------------
In the Nico Nico Douga version of the mirror scene at , MW reverts back to their monster form showing also that MW cant fully escape from what they are adding that they feel self hatred, combined with the Youtube version the mirror scene is indicative that MW's uses the Teresa persona to justify that Anne wanted this and was ok with being abandoned which obvious doesnt work as ill explain below
the worms at are horsehair worms, which are parasitic worms that infect mantises and "possess" them to drown themselves in bodies of water to complete the parasite's reproductive cycle. very awesome biologically accurate yuri from nilfruits. thank you yuri jesus 👍
Now the real meat of the story and that involves Anne. If you're paying attention up to this point of the MV, outside of the intro, we do not see a present version of Anne. We see hazy, pastel visions of Anne and the one shot we do see of present Anna at has her head turned. Many would assume is that Anne had died, but in reality present Anne is now blind
