
てぃ⤵︎大好き

Anyways, this song is similar to that of Post Shelter and Lagtrain, having a somewhat happy tone while also being one of the longer songs that has been uploaded. inabakumori's newer songs are using a new trend of having the right guitar being more rhythmic and having the left guitar play more grounded. This is especially apparent in the chorus sections (,
![[ brings the literal meaning to "Sinktank" as RIME's pitch shifts down. It sounds very dissonant, like how a burden may drag you down.] - 稲葉曇『シンクタンク』Vo. 裏命](https://img.youtube.com/vi/xn4qndSd3vs/mqdefault.jpg)
[ brings the literal meaning to "Sinktank" as RIME's pitch shifts down. It sounds very dissonant, like how a burden may drag you down.]
![One of my favorite sections is at . The sudden impact followed up with the swells give me goosebumps. It gives a feeling of surprise and mystery. [To me, it feels like something very unexpected happened with the girl and someone else.] - 稲葉曇『シンクタンク』Vo. 裏命](https://img.youtube.com/vi/xn4qndSd3vs/mqdefault.jpg)
One of my favorite sections is at . The sudden impact followed up with the swells give me goosebumps. It gives a feeling of surprise and mystery. [To me, it feels like something very unexpected happened with the girl and someone else.]

,

Probably the most unique section is , where the time signature changes into a 5/4 and sometimes 6/4? Either way, I get a feeling of being lost as a lot of happening in this section. [The main melody playing in this part can't seem to decide whether it's happy, sad, or anything really. Once that stops though (

からの変拍子がとても好き、、、多分5→5→6→5→6→5→5→6→5→10拍子に関してはあまり知識はないけれど、そんな気がする

から歌詞が入るにかけてのドラムが大好き
![), the song takes a more hopeful turn though there still is a feeling of uncertainty.] - 稲葉曇『シンクタンク』Vo. 裏命](https://img.youtube.com/vi/xn4qndSd3vs/mqdefault.jpg)
), the song takes a more hopeful turn though there still is a feeling of uncertainty.]

this part sounds so good

There is no rhyme or reason should slap that fucking hard. That shit is a banger!!!

からの電子音とかラスサビのまた会えるかは君次第部分とかサカナ味感じるレーダーもサカナクションぽいですよね
![), where the right guitar is playing a rhythmically more complex part while the left is playing along with the chord progression. [This then goes into the second part of the chorus, where both guitars are playing in frequent short bursts while a high-pitched synth is playing. The vocals also have more reverb, perhaps trying to imitate someone calling out for something? The section as a whole conveys a confused and lost feeling.] - 稲葉曇『シンクタンク』Vo. 裏命](https://img.youtube.com/vi/xn4qndSd3vs/mqdefault.jpg)
), where the right guitar is playing a rhythmically more complex part while the left is playing along with the chord progression. [This then goes into the second part of the chorus, where both guitars are playing in frequent short bursts while a high-pitched synth is playing. The vocals also have more reverb, perhaps trying to imitate someone calling out for something? The section as a whole conveys a confused and lost feeling.]

I just realized that at the girl in the middle opens her eyes

I've looped this video for so long but I've just realized that Osage opens her eyes at . It kind of feels reminiscent of Kairiki bear :)
![Is it just me, or did the channel banner change? I don't think two of the three music notes were white before this or the last song "Tokoshizume". [And like in Tokoshizume, the girl's eyes are closed for most of the song, but then open at a climactic part. In this song, it's at .] - 稲葉曇『シンクタンク』Vo. 裏命](https://img.youtube.com/vi/xn4qndSd3vs/mqdefault.jpg)
Is it just me, or did the channel banner change? I don't think two of the three music notes were white before this or the last song "Tokoshizume". [And like in Tokoshizume, the girl's eyes are closed for most of the song, but then open at a climactic part. In this song, it's at .]

Opens her eyes at
