to 3（00:03:15 - 00:03:38）
[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

【現在・過去・未来、すべてのロリィタへ ─── 】
【 Once she shows up, there is no turning back. 】

Vocal：鏡音リン / Kagamine Rin (V4X)

Lyrics & Illustration：常葉円（Tokiwa Madoka）
https://twitter.com/fillies_revue

Music & Movie：iroha(sasaki)
https://twitter.com/iroha_sasaki
https://www.youtube.com/@iroha_sasaki

◆各種配信 ⇒ https://linkco.re/0uEsdD4X

◆Off Vocal ⇒ https://drive.google.com/drive/folders/1o2Jwjob9GuIfiX5ESGT--xqE3jIWAWR5?usp=sharing

─────────────────────────────
株式会社MIXI「KARASTA」連動企画への書き下ろし曲です。
ボカロシンガーオーディション優勝者「ねる」さんVerはこちら
https://youtu.be/la9vmT09Hg8
─────────────────────────────
【Lyrics】
ねえアリス　ねえアリス
絶対崩しませんわ　人形のお顔
モード？流行？存じませんわ
くそったれな世界で息をする為
今日もあたしに憑りついて
それだけでいいんだから

世界の半分が灰色に見えることに
言い訳くらいあったけど
一丁前に大人になっただけの
ジャガイモの瞳にも
それはひどくまぶしかった

ベルベッドのカーテン　三面鏡の小部屋
アリスが微笑んだのは一度きり
袖を通したその刹那
日傘の奥から伸びた手が
心臓(ハート)と脳髄ブチ抜いた

ねえアリス　ねえアリス
あたしそれから長い髪とヘッドドレスで
銃創　隠さにゃ　いけませんのよ
くそったれな世界で息をする意味
今日もあんたは教えない
まぁ今はそれでいいや

今日も纏って羽織って街を行け
失笑　目線　踏み抜けロッキン
お粉とつけまでドールに寄せて
レースとリボンは可憐に過剰に

音楽　思考　精神　趣向
引き算の美に　中指を立て
出来上がった鏡の中のあたしは
完璧なロリィタ(アリス)

ベルベッドのカーテン　三面鏡の小部屋
一度知ったら戻れない　この毒は
袖を通したその刹那
今日もアリスにしてくれる
心臓(ハート)と脳髄ブチ抜いて

ねえどうか　やめないで
随分寂しがり屋ね　まだお友達欲しい？
スイートゴシック姫クラシカル
純真無垢な子供が一人
今日もあんたに恋をして
銃弾食らって落ちてんじゃん

世界の半分が輝いて見えることに
唇を噛むこともある
贅沢言えるような手札はない
生まれ落ちる時代も間違えた
なら　狂い咲くしかない

花が燃える　その日まで
─────────────────────────────

For example, the lower pitch at and the higher pitch at

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:31 - 00:01:36

– both creating, to my ears, somewhat of a dissonance. Then, the tension and complexity of everything happening is released by the successive beats from

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:36 - 00:01:46

to

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:46 - 00:01:52

and the melodic line thereafter, which works really well with the piano. The contrast between the distorted vocals at

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:52 - 00:02:04

–

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:02:04 - 00:02:27

and the other melodic line following that is also something I particularly enjoy. You use some very interesting chords too. I like them. And the rest too, of course.

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:02:27 - 00:03:47

to 3

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @darkkyosukecrono 様　

00:03:15 - 00:03:38

<

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @darkkyosukecrono 様　

00:03:38 - 00:04:20

The simplicity of the end is thoroughly enjoyable. onwards, especially the dragged out note at the end and the piano accompanient works wonderfully. You did a really good job. As for the beginning, I feel like it does a good job at framing the rest of the song and setting expectations. Well done.

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:03:47 - 00:04:20

チャンネル登録

iroha(sasaki)

※本サイトに掲載されているチャンネル情報や動画情報はYouTube公式のAPIを使って取得・表示しています。動画はYouTube公式の動画プレイヤーで再生されるため、再生数・収益などはすべて元動画に還元されます。

概要カレンダー動画一覧動画ランキングタイムテーブル YouTube配信チャンネル分析

Timetable

動画タイムテーブル

よく話題になっている単語を表示する

動画数：22件

字幕を含める

For example, the lower pitch at and the higher pitch at

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:31 - 00:01:36

– both creating, to my ears, somewhat of a dissonance. Then, the tension and complexity of everything happening is released by the successive beats from

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:36 - 00:01:46

to

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:46 - 00:01:52

and the melodic line thereafter, which works really well with the piano. The contrast between the distorted vocals at

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:01:52 - 00:02:04

–

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:02:04 - 00:02:27

and the other melodic line following that is also something I particularly enjoy. You use some very interesting chords too. I like them. And the rest too, of course.

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:02:27 - 00:03:47

to 3

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @darkkyosukecrono 様　

00:03:15 - 00:03:38

<

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @darkkyosukecrono 様　

00:03:38 - 00:04:20

The simplicity of the end is thoroughly enjoyable. onwards, especially the dragged out note at the end and the piano accompanient works wonderfully. You did a really good job. As for the beginning, I feel like it does a good job at framing the rest of the song and setting expectations. Well done.

[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

2024年02月11日　 @philip2205 様　

00:03:47 - 00:04:20

すき

[INST] 浮上のプロセス / Floating Process (remaster)

2023年01月15日　 @nagatsuki27911 様　

00:01:24 - 00:05:22

-

[INST] 浮上のプロセス / Floating Process (remaster)

2023年01月15日　 @MakinoWang 様　

00:02:09 - 00:03:12

is my favorite part. Let me feel the changing of emotional state.Thank you very much for keeping sharing your composition!!

[INST] 浮上のプロセス / Floating Process (remaster)

2023年01月15日　 @MakinoWang 様　

00:03:12 - 00:05:22

ここからのメロディが特に大好きで、小学生の頃から忘れられない旋律と歌詞です🥲💕

[Official] sigh feat.鏡音リン / sigh feat.Kagamine Rin

2022年10月24日　 @薄紅のレディ様　

00:00:54 - 00:04:10

to 3（00:03:15 - 00:03:38）
[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

For example, the lower pitch at and the higher pitch at

– both creating, to my ears, somewhat of a dissonance. Then, the tension and complexity of everything happening is released by the successive beats from

to

and the melodic line thereafter, which works really well with the piano. The contrast between the distorted vocals at

–

and the other melodic line following that is also something I particularly enjoy. You use some very interesting chords too. I like them. And the rest too, of course.

to 3

<

The simplicity of the end is thoroughly enjoyable. onwards, especially the dragged out note at the end and the piano accompanient works wonderfully. You did a really good job. As for the beginning, I feel like it does a good job at framing the rest of the song and setting expectations. Well done.

iroha(sasaki)

Timetable

よく話題になっている単語

For example, the lower pitch at and the higher pitch at

– both creating, to my ears, somewhat of a dissonance. Then, the tension and complexity of everything happening is released by the successive beats from

to

and the melodic line thereafter, which works really well with the piano. The contrast between the distorted vocals at

–

and the other melodic line following that is also something I particularly enjoy. You use some very interesting chords too. I like them. And the rest too, of course.

to 3

<

The simplicity of the end is thoroughly enjoyable. onwards, especially the dragged out note at the end and the piano accompanient works wonderfully. You did a really good job. As for the beginning, I feel like it does a good job at framing the rest of the song and setting expectations. Well done.

すき

-

is my favorite part. Let me feel the changing of emotional state.Thank you very much for keeping sharing your composition!!

ここからのメロディが特に大好きで、小学生の頃から忘れられない旋律と歌詞です🥲💕

ボカロランキングとは

利用規約

プライバシーポリシー

お問い合わせ

その他のデータベース

to 3（00:03:15 - 00:03:38）[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin

For example, the lower pitch at and the higher pitch at

– both creating, to my ears, somewhat of a dissonance. Then, the tension and complexity of everything happening is released by the successive beats from

to

and the melodic line thereafter, which works really well with the piano. The contrast between the distorted vocals at

–

and the other melodic line following that is also something I particularly enjoy. You use some very interesting chords too. I like them. And the rest too, of course.

to 3

<

The simplicity of the end is thoroughly enjoyable. onwards, especially the dragged out note at the end and the piano accompanient works wonderfully. You did a really good job. As for the beginning, I feel like it does a good job at framing the rest of the song and setting expectations. Well done.

iroha(sasaki)

Timetable

よく話題になっている単語

For example, the lower pitch at and the higher pitch at

– both creating, to my ears, somewhat of a dissonance. Then, the tension and complexity of everything happening is released by the successive beats from

to

and the melodic line thereafter, which works really well with the piano. The contrast between the distorted vocals at

–

and the other melodic line following that is also something I particularly enjoy. You use some very interesting chords too. I like them. And the rest too, of course.

to 3

<

The simplicity of the end is thoroughly enjoyable. onwards, especially the dragged out note at the end and the piano accompanient works wonderfully. You did a really good job. As for the beginning, I feel like it does a good job at framing the rest of the song and setting expectations. Well done.

すき

-

is my favorite part. Let me feel the changing of emotional state.Thank you very much for keeping sharing your composition!!

ここからのメロディが特に大好きで、小学生の頃から忘れられない旋律と歌詞です🥲💕

to 3（00:03:15 - 00:03:38）
[Official] ロカイユ feat.鏡音リン / Rocaille feat.Kagamine Rin