Yes she's right I'm not here I just took it to so I can listen to the banger parts again
噛み跡ついてるのすき
転生林檎（ギロチン）
コンポジションを使用する理由
気のせいかもしれないけどあーもうがゆっくりの音声
神っぽいな（神様）
神っぽいな…？
ユメネコ、今年の終わりと始まりをノラ猫は見ていた、コスモスパイス（猫）
猫様は噛まないのすこ
内臓ありますか（はいはい）
(いて いていていて)甘噛みされて痛っ(いてっ)って言ってるのと、甘噛みして引き止めてる(居て)にも聞こえるの好き。
いて いて いてのとこってtask have fan に提供したギプスのセルフサンプリングかな？
ヨヅリナ（魚）
ありふれたせかいせいふく（肉の塊）
すきなことだけでいいです、ボカロはダサい（ショートケーキ）
ショートケーキをイチゴから食べるのは許し難い
#甘噛みでおねがい
揺れ方かわいすぎ
that's a cool voice!! Who said it?
どうやんのって魔理沙の声に聞こえるんだが
あたりが人気ボカロPの苦悩っぽくて好き
愛して言えないのに老若男女言えるのすごい
魔法少女とチョコレゐト（老若男女を沸かせる感動）
ノンブレス・オブリージュ（白髪になるくらいのナーバスを背負いこんで）
のところの、みくを噛んで髪の色戻るところ好きすぎる
404（クレーム言う星人）、ひとりぼっちのユーエフオー、すきなことだけでいいです（UFO）
私は、はなしている時に言葉がうまくつながらず相手とまともに言葉のキャッチボールができていない気がします。伝えようとしても伝わらず、愛想笑いで流されてしまいます。 の「話せばわかるってキャッチボールしないくせに」歌詞にはとてもグッときます
ここ好き
宇宙みかん、化物宇宙、Mei Mei、ぜろ、コスモスパイス（宇宙）
自分用
の「甘噛みでお願い」ってとこのイラストとリズムがマジで好き
舌を噛んで痛がっていると思っていたけど、この子は甘噛みされていない言葉に痛がって、耳を押さえたり、少し前に発狂したりしているのかな？
Anyway, my favorite part is ~ (1)
1匹だけ泣いてるニワトリいるの細か
いや急に滑舌つよつよやん！
腐れ外道とチョコレゐト、魔法少女とチョコレゐト（チョコレート）
甘噛みされて泣いてるにわとりさんかわいいね
永遠に聴ける。中毒性やばすぎる。
goes hard
から
からのゆっくりボイス、テンポよくてめっちゃすキュっ
でデフォ子／ゆっくりちゃんのラップバース
ゆっくり（霊夢）パート好きな人いますかぁ～？
好きなシーン (2)
好きなシーン (1)
甘噛み暴走パート好きすぎる
音MADですごいいいの見れそう
I mean, I don't know if it's obvious but the song feels like it's about someone having trouble expressing themselves to people, especially the person that they love. I think the biggest evidence for this is that the ending of the song shows miku trying again and again to say I love you but she fails sveral times before she succeeds. This is also especially sad because the person has left or is just no longer there, which means that she took so long to say I love you and to express her feelings that they ended up leaving. I think that biting her tongue in a way is to keep her from saying things that make her anxious too: When she bites her tongue after her hair is white with anxiety it turns back to normal as if she feels relieved by not saying the things that she feels. And then there are other examples like her neighbor complaining too much and her showing sympathy towards them, even if she thinks it's hopeless and she doesn't want to be so polite. The scream of frustration over not expressing things correctly and the repeated speech emulating stuttering (), just continue with the theme.I think it's also kind of charming how pinocchiop is able to keep similar themes whithin his songs instead of just making them separate items. I've been meaning to say something along these lines, but pinocchiop tends to portray certain things the same way through his songs, like the person that miku loves in most of these. Miku is portrayed as someone that has very human flaws, and who struggles with "simple" life affairs, but then there is the other person that often is almost devoid of these faults and difficulties. Miku often seeks them for forgiveness or sympathy. Depending on the song the person might have more flaws, like in 404 where the person fails to sympathize with miku, making her disappointed. Even so, she still looks up to this person and expects them to understand because she loves this person. In Non Breath Oblige, Miku wants to sort of save the person, but struggles to do so. Some other songs have other types of listeners, like the one that represents the bad aspects of society such as God-ish, Ghosts Play to the Audience, or Magical Girl and Chocolate. Some other songs have the singer encourage the listener like, Kick-Ass Literally*, Antenna, or even Ultimate senpai (which is the rare case in which the singer and the listener are represented as the same). So far I think the best way to explain it is that pinocchiop has got not only different characters for Miku, but also for the type of listener, the listener is also a pinocchiop character. I love the songs where the listener is Miku's love (for the lack of beter terms, it could be platonic or romantic idk). It always feels like the listener is someone that doesn't get miku because they are very conformist to society and fit in, while miku who is a misfit isn't understood by society; Even so, the listener seems to be close to Miku and wants what's good for her. They seem to be portrayed as a kind but unaware person, one that is very dear to the main singer most of the time, and that might not fully comprehend anything Miku is saying. The listener often portrays an aspect of society, good or bad, that Miku wishes to enlighten.
「生たまたたった」好きww
ここすき
～ここからラスサビまで噛まずに(？)歌いきるのマジで気持ちいい
ああああああ ああもうって愛してる言おうとして言えなかったのかなって思えてきた
合成音声なのに早口言葉で噛むの新鮮で好き。
here, it sounds like they’re saying 祟った, (tatatta) which means something like“cursed”. It could be saying that the inability to communicate properly is a curse to them
Anyway, my favorite part is ~ (2)
ここのあとの目を横にするやつ好きすぎてやばい
って脳死で聴いて気分上がってたけどこの場面って増えてる女の子の数やモニターの数のぶんこの女の子が滑舌良くするために一生懸命早口言葉練習してるってことなのか(まじで伝わってくれ）
のリズムとか全部がまじ大好きこれからも一生聴いてられる
anyone else love how her droning voice here almost sounds like a spooky theremin?
-
Caso queira conferir mais de nosso trabalho, você pode verificar as músicas _Killer Spider_ e ___ Life Remaining._
is my favorite part
サビはあんま噛んでないの草
is so relate for me at least for now.I can't confess my feeling to someone for 6 years and I probably won't gonna make it because in July i will move.
With all that, those who happened to fall just so slightly behind in terms of communication skills (e.g. some other comments mention autism) may have a really tough time to the point where no matter how many times they try to express their true feelings, they won't be able to reach other people since those people already deemed them as "the wierd one" and stopped listening ( -
ここから「頑張れ！いけるぞーっ！」って心の中で応援してしまった…そして言えた！と思ったら…
).
At the same time I don't want to confess to her and I don't want things are turns to be . I'm trapped here in nowhere.
の「もう君はいないや」って言ってる時ハートがないから相手を食べて「もう君はいないや」って言ってるのかな？（絶対違う）
一瞬泣き顔になってる……
ここらへん泣いてるように見えたちな、速度を1番遅くすると見えやすいで
ら辺のイラストが目閉じて泣いてるようにみえる
